





The Miquel is a cognac wholecut Oxford in Italian Museum calfskin from Ilcea, here on a sole that handles the street. Hand-painted and antiqued across a seamless surface, the cognac shifting between amber and deep gold as the light moves — one piece of leather, no seam. On the Louvre last, soft-square tapered toe. Goodyear welted by hand in a workshop in Almansa. Beneath the leather sits a discreet high-density rubber half-sole: the Museum cognac stays fully intact — the hand-painted depth, the seamless line — while you gain grip on wet ground and a sole that lasts longer.
The formal wholecut in Italian Museum calf, ready for the city. The finish doesn't change; the shoe simply keeps up.
Ilcea above, planted below.
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